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 1 I    |           forms, are all in their general conception modes of imitation.
 2 I    |           bring him too under the general term poet.~So much then
 3 IV   |                      IV~Poetry in general seems to have sprung from
 4 IV   |        philosophers but to men in general; whose capacity, however,
 5 VI   |          proved, or, it may be, a general truth enunciated. Every
 6 VI   |        character; and of poets in general this is often true. It is
 7 VI   |          to be or not to be, or a general maxim is enunciated.~Fourth
 8 XIII |           though he may be in the general management of his subject,
 9 XVII |           should first sketch its general outline, and then fill in
10 XVII |        and amplify in detail. The general plan may be illustrated
11 XVII |          go there, is outside the general plan of the play. The purpose,
12 XX   |                    XX~Language in general includes the following parts:
13 XXI  |       word I mean one which is in general use among a people; by a
14 XXIII|     episodes many events from the general story of the war—such as
15 XXV  | plausibility to the objection.~In general, the impossible must be
16 XXVI |         Tragic and Epic poetry in general; their several kinds and