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 1 V    |     Tragedy endeavors, as far as possible, to confine itself to a
 2 VI   |        faculty of saying what is possible and pertinent in given circumstances.
 3 IX   |          what may happen—what is possible according to the law of
 4 IX   |        reason being that what is possible is credible: what has not
 5 IX   |          at once feel sure to be possible; but what has happened is
 6 IX   |       has happened is manifestly possible: otherwise it would not
 7 IX   |          law of the probable and possible, and in virtue of that quality
 8 XIV  |         done. These are the only possible ways. For the deed must
 9 XVII |       place the scene, as far as possible, before his eyes. In this
10 XVIII|         poet should endeavor, if possible, to combine all poetic elements;
11 XXIV |        should speak as little as possible in his own person, for it
12 XXIV | Everything irrational should, if possible, be excluded; or, at all
13 XXV  |         kind of error should, if possible, be avoided.~Again, does
14 XXV  |         thing improbable and yet possible. Again, it may be impossible
15 XXVI |          poems are as perfect as possible in structure; each is, in