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 1 IX   |        pity. Such an effect is best produced when the events
 2 IX   | principles are necessarily the best.~
 3 XI   |       good or bad fortune. The best form of recognition is coincident
 4 XIII |    came in their way. Now, the best tragedies are founded on
 5 XIII |    said, the right ending. The best proof is that on the stage
 6 XIII |       bad. It is accounted the best because of the weakness
 7 XIV  |   effect. The last case is the best, as when in the Cresphontes
 8 XVI  |       of all recognitions, the best is that which arises from
 9 XVII |      work out his play, to the best of his power, with appropriate
10 XVIII|     the same or different, the best test to take is the plot.
11 XXII |        words, the compound are best adapted to dithyrambs, rare
12 XXV  |       is metaphorical; for the best known may be called the