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 1 III  |         which case he can either take another personality as Homer
 2 V    |       painful or destructive. To take an obvious example, the
 3 VII  | beautiful; for as the eye cannot take it all in at once, the unity
 4 IX   |        And even if he chances to take a historical subject, he
 5 XVII |        In the one case a man can take the mould of any character;
 6 XVIII|      different, the best test to take is the plot. Identity exists
 7 XXII |          verse. So, again, if we take a strange (or rare) word,
 8 XXIII|        the poem. All other poets take a single hero, a single
 9 XXIV |   appreciates the part he should take himself. The poet should
10 XXIV |          spite of the absurdity. Take even the irrational incidents
11 XXV  |          in how many ways we may take "being checked there." The