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1 I   |  voice; so in the arts above mentioned, taken as a whole, the imitation
2 I   |   employ all the means above mentioned—namely, rhythm, tune, and
3 II  |     modes of imitation above mentioned will exhibit these differences,
4 XII |      whole have been already mentioned. We now come to the quantitative
5 XII |      whole have been already mentioned. The quantitative parts—
6 XVI |    allied to the fault above mentioned—for Orestes might as well
7 XXII|    and the other kinds above mentioned, will raise it above the
8 XXV |   the end being that already mentioned)—if, that is, the effect
9 XXV | under the twelve heads above mentioned.~