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1 IV  |        in relation also to the audience—this raises another question.
2 XIII|    writes by the wishes of his audience. The pleasure, however,
3 XVII| however, the Piece failed, the audience being offended at the oversight.~
4 XXVI|  appeals to the better sort of audience, the art which imitates
5 XXVI| manifestly most unrefined. The audience is supposed to be too dull
6 XXVI|      addressed to a cultivated audience, who do not need gesture;