Book, Paragraph

 1      I, 2 |    apparent proof, provided by the words of the speech itself. Persuasion
 2      I, 4 |            rather than simply with words and forms of reasoning.
 3      I, 7 |       harder to come by. Hence the words of Homer:~I have learnt
 4      I, 9 |        Praise is the expression in words of the eminence of a man’
 5      I, 9 |            and reverse our form of words. Thus the statement "A man
 6      I, 11|          noble and good. Hence the words~Sweet "tis when rescued
 7      I, 11|         instance our own deeds and words. That is why we are usually
 8      I, 11|         are pleasant, whether men, words, or deeds. We have discussed
 9      I, 13|         according to the unwritten words of the law; but he is innocent
10      I, 15|    intention and not on the spoken words. But if it is your opponent
11     II, 3 |          preliminary punishment in words: if that is done, even slaves
12     II, 8 |       heighten the effect of their words with suitable gestures,
13     II, 8 |         have already suffered; the words and the like of those actually
14     II, 21|       wrath" is a maxim; the added words "mortal man" give the reason.
15     II, 21|        reason. Similarly, with the words Mortal creatures ought to
16     II, 22|      conclusion, or we shall waste words in saying what is manifest.
17     II, 23|  contradictions of dates, acts, or words that it anywhere displays;
18     II, 24|         arises from the particular words employed.~(a) One variety
19     II, 24|        based on the use of similar words for different things; e.g.
20    III, 1 |            the movement going; for words represent things, and they
21    III, 1 |     tragedy has given up all those words, not used in ordinary talk,
22    III, 2 |            is secured by using the words (nouns and verbs alike)
23    III, 2 |         secured by using the other words mentioned in the Art of
24    III, 2 |  successfully by taking the single words of our composition from
25    III, 2 |        treatise on Poetry. Strange words, compound words, and invented
26    III, 2 |            Strange words, compound words, and invented words must
27    III, 2 |       compound words, and invented words must be used sparingly and
28    III, 2 |          of good oratorical prose. Words of ambiguous meaning are
29    III, 2 |          the poet, by which I mean words whose ordinary meaning is
30    III, 2 |             these two are ordinary words and have the same meaning.~
31    III, 2 |      definitions of these kinds of words; a classification of Metaphors;
32    III, 2 |          the very syllables of the words conveying it fail to indicate
33    III, 2 |           perceived as soon as the words are said. Thus in the celebrated
34    III, 2 |          like the ugliness, of all words may, as Licymnius says,
35    III, 2 |      language, because in whatever words you put a given thing your
36    III, 2 |             Besides, two different words will represent a thing in
37    III, 3 |             The misuse of compound words. Lycophron, for instance,
38    III, 3 |         made the persuasion of his words", and "sombre-hued is the
39    III, 3 |         the sea".The way all these words are compounded makes them,
40    III, 3 |          the employment of strange words. For instance, Lycophron
41    III, 3 |         its clearness by piling up words.~The ordinary use of compound
42    III, 3 |           ordinary use of compound words is where there is no term
43    III, 3 |           sonorous noises; strange words for writers of epic poetry,
44    III, 5 |           proper use of connecting words, and the arrangement of
45    III, 5 |           sentence many connecting words are inserted in front of
46    III, 5 |            right use of connecting words. (2) The second lies in
47    III, 5 |          there are many connecting words or clauses, or where punctuation
48    III, 6 |              4) Do not bracket two words under one article, but put
49    III, 6 |           Use plenty of connecting words; conversely, to secure conciseness,
50    III, 7 |            a speaker uses the very words which are in keeping with
51    III, 7 |         mean for instance, if your words are harsh, you should not
52    III, 7 |            unconvincing.) Compound words, fairly plentiful epithets,
53    III, 7 |    plentiful epithets, and strange words best suit an emotional speech.
54    III, 9 |      nothing except the connecting words, like the preludes in dithyrambs;
55    III, 9 |            a wrong division of the words the hearer may take the
56    III, 9 |       enough". Here the contrasted words are "staying behind" and "
57    III, 9 |  Paromoeosis is making the extreme words of both members like each
58    III, 9 |            always be between whole words; at the end, between final
59    III, 10|          hold of new ideas easily: words express ideas, and therefore
60    III, 10|         ideas, and therefore those words are the most agreeable that
61    III, 10|          of new ideas. Now strange words simply puzzle us; ordinary
62    III, 10|         simply puzzle us; ordinary words convey only what we know
63    III, 10|           good to use metaphorical words; but the metaphors must
64    III, 10|           will have no effect. The words, too, ought to set the scene
65    III, 10|            well. "The course of my words", said Iphicrates, "lies
66    III, 11|            not being just what the words say: as in the saying of
67    III, 11|        They are like the burlesque words that one finds in the comic
68    III, 11|            be clear the moment the words are uttered. Jokes made
69    III, 11|         Thou should’st.~Do not the words "thou must not be", &c.,
70    III, 12|        Thus strings of unconnected words, and constant repetitions
71    III, 12|            constant repetitions of words and phrases, are very properly
72    III, 12| Anaxandrides whenever he spoke the words "Rhadamanthus and Palamedes",
73    III, 12|        with strings of unconnected words, e.g. "I came to him; I
74    III, 12|            of ordinary and unusual words, by the rhythm, and by-the
75    III, 15|      supposition has been put into words or not, so that this distinction
76    III, 15|            already answered for my words there, I am ready to do
77    III, 16|           manners. Do not let your words seem inspired so much by
78    III, 16|           no one will believe your words, but the fact remains that
79    III, 18|       contradicting either his own words or what every one believes.