Book, Paragraph

 1      I, 1 |        ways being possible, the subject can plainly be handled systematically,
 2      I, 2 |        persuasion on almost any subject presented to us; and that
 3      I, 2 |    whole of their efforts. This subject shall be treated in detail
 4      I, 2 |       study of any one separate subject: both are faculties for
 5      I, 2 |         handle their particular subject the further they are getting
 6      I, 3 |       in speech-making—speaker, subject, and person addressed—it
 7      I, 4 |       all things understand the subject of legislation; for it is
 8      I, 5 |      closely connected with the subject of Eulogy, and therefore
 9      I, 5 |         we come to discuss that subject.~
10      I, 8 |         detailed account of the subject has been given in the Politics.~
11      I, 9 |      therefore, now discuss the subject, though by way of illustration
12      I, 9 |       to further aspects of the subject, it is not difficult to
13      I, 10|        character.~However, this subject has already been cleared
14      I, 10|      first with the rest of the subject before us.~The things that
15      I, 11|         Poetry.~So much for the subject of pleasant things: by considering
16      I, 12|      they care for. The general subject of apparent possibility
17     II, 1 |         same way to analyse the subject before us.~
18     II, 7 |     stands. In considering this subject we must look at all the
19     II, 10|         fortune, are almost all subject to envy; and particularly
20     II, 11|         all such persons as are subject to those bad things which
21     II, 21|       is it about any and every subject—e.g. "straight is the contrary
22     II, 22|  Enthymemes, and will begin the subject with some general consideration
23     II, 22|    public affairs or some other subject, we must know some, if not
24     II, 22|          of the facts about the subject on which we are to speak
25     II, 22|       no difference whether the subject is the Lacedaemonians or
26     II, 22|       same thing applies to any subject whatever. Thus, in handling
27     II, 22|         the actual facts of the subject we have to speak on, and
28     II, 22|        closely they bear on the subject, the more they will seem
29     II, 22|   certain facts about the whole subject, considered from a different
30     II, 23| pronounced, whether on the same subject or on one like it or contrary
31     II, 23|       separately the parts of a subject. Such is that given in the
32     II, 25|        been described; the next subject is their Refutation.~An
33    III, 1 |        for enthymemes.~Our next subject will be the style of expression.
34    III, 1 |       greatly; but hitherto the subject has been neglected. Indeed,
35    III, 1 |         regarded as an elevated subject of inquiry. Still, the whole
36    III, 1 |       must pay attention to the subject of delivery, unworthy though
37    III, 1 |      which concerns our present subject, rhetoric. The other—the
38    III, 2 |       beyond the dignity of the subject, and so the art is not concealed.
39    III, 6 |    little wind-swept knoll...~A subject can be developed indefinitely
40    III, 6 |         according to which your subject requires. It is from this
41    III, 7 |        if it corresponds to its subject. "Correspondence to subject"
42    III, 7 |     subject. "Correspondence to subject" means that we must neither
43    III, 9 |       is no more to say of that subject. This style is unsatisfying
44    III, 14|        you travel far from your subject, it is fitting, rather than
45    III, 14|        entire speech.~The usual subject for the introductions to
46    III, 14|        to be employed where the subject is not long or intricate.~
47    III, 14|        speaker, the hearer, the subject, or the speaker’s opponent.
48    III, 14|       you should imply that the subject does not affect him, or
49    III, 14|       summary statement of your subject, to put a sort of head on
50    III, 14|       makes them very rare. The subject is known already, and therefore
51    III, 15|      connexions, is or has been subject to the same grounds for
52    III, 15|        another, when others are subject to the same grounds for
53    III, 16|        We may now pass from the subject of calumny to that of Narration.~
54    III, 19|   introduction is to state your subject, in order that the point