Book, Paragraph

 1     II, 24|      passes for an enthymeme, such language being the proper province
 2     II, 24|            is the use of indignant language, whether to support your
 3    III, 1 |  persuasion; second, the style, or language, to be used; third, the
 4    III, 1 |          to set these facts out in language. A third would be the proper
 5    III, 1 |          indeed, even the study of language made no progress till late
 6    III, 1 |           our hearers. The arts of language cannot help having a small
 7    III, 1 |           hearer. Nobody uses fine language when teaching geometry.~
 8    III, 1 |            fame through their fine language when their thoughts were
 9    III, 1 |            simple enough, that the language of oratorical prose at first
10    III, 1 |         people think that poetical language makes the finest discourses.
11    III, 1 |  discourses. That is not true: the language of prose is distinct from
12    III, 1 |       things to-day, when even the language of tragedy has altered its
13    III, 2 |          undue elevation; poetical language is certainly free from meanness,
14    III, 2 |            what is usual makes the language appear more stately. People
15    III, 2 |          true of their feeling for language. It is therefore well to
16    III, 2 |        quite appropriate that fine language should be used by a slave
17    III, 2 |         the way to his successors.~Language is composed of nouns and
18    III, 2 |        direction of excess. In the language of prose, besides the regular
19    III, 2 |           is no such thing as foul language, because in whatever words
20    III, 3 |                     3~Bad taste in language may take any of four forms:~(
21    III, 3 | inappropriateness of such poetical language imports absurdity and tastelessness
22    III, 3 |       entirely. We now see why the language of compounds is just the
23    III, 5 |            style is correctness of language, which falls under five
24    III, 6 | suggestions will help to give your language impressiveness. (1) Describe
25    III, 7 |                             7~Your language will be appropriate if it
26    III, 7 |       emotion, you will employ the language of anger in speaking of
27    III, 7 |           speaking of outrage; the language of disgust and discreet
28    III, 7 |           impiety or foulness; the language of exultation for a tale
29    III, 7 |       other cases.~This aptness of language is one thing that makes
30    III, 7 |      colossal"; and we excuse such language when the speaker has his
31    III, 7 |          follows. This is why such language is fitting in poetry, which
32    III, 7 |            an inspired thing. This language, then, should be used either
33    III, 8 |           other hand, unrhythmical language is too unlimited; we do
34    III, 8 |            the tones of the spoken language. The iambic is the very
35    III, 8 |             The iambic is the very language of ordinary people, so that
36    III, 8 |          We have now seen that our language must be rhythmical and not
37    III, 9 |                              9~The language of prose must be either
38    III, 9 |           be taken in at a glance. Language of this kind is satisfying
39    III, 9 |       remembered; and this because language when in periodic form can
40    III, 11|         you are doing. The type of language employed-is the same in
41    III, 12|            more so is the style of language addressed to a single judge,
42    III, 19|          the disconnected style of language is appropriate, and will