Book, Paragraph

 1     II, 26|       have next to discuss (2) Style, and (3) Arrangement.~ ~
 2    III, 1 |        persuasion; second, the style, or language, to be used;
 3    III, 1 |       next subject will be the style of expression. For it is
 4    III, 1 |   detail the whole question of style, but may confine ourselves
 5    III, 2 |    including the definition of style. Style to be good must be
 6    III, 2 |       the definition of style. Style to be good must be clear,
 7    III, 2 |   subjects: even in poetry the style, to be appropriate, must
 8    III, 2 |      good writer can produce a style that is distinguished without
 9    III, 2 |      Metaphor, moreover, gives style clearness, charm, and distinction
10    III, 3 |  epithets, since they lift our style above the usual level and
11    III, 5 |         The foundation of good style is correctness of language,
12    III, 5 |       One merit, then, of good style lies in the right use of
13    III, 7 |       variations of oratorical style are capable of being used
14    III, 9 |        poets. The free-running style is the ancient one, e.g. "
15    III, 9 |      so now. By "free-running" style I mean the kind that has
16    III, 9 |      say of that subject. This style is unsatisfying just because
17    III, 9 |       the free-running kind of style; the compact is that which
18    III, 9 |     with a crash.~The periodic style which is divided into members
19    III, 10|      acceptable. So far as the style is concerned, it is the
20    III, 12|        has its own appropriate style. The style of written prose
21    III, 12|     own appropriate style. The style of written prose is not
22    III, 12|    general public.~The written style is the more finished: the
23    III, 12|    plays written in the latter style, and poets for actors competent
24    III, 12|        him afterwards.~Now the style of oratory addressed to
25    III, 12|      better away. The forensic style is more highly finished;
26    III, 12| finished; still more so is the style of language addressed to
27    III, 12|   forensic oratory.~To analyse style still further, and add that
28    III, 12|    definition of excellence of style has been correct. For what
29    III, 12|       what other reason should style be "clear", and "not mean"
30    III, 12|  middle way suits best. Again, style will be made agreeable by
31    III, 12|    concludes our discussion of style, both in its general aspects
32    III, 19|   conclusion, the disconnected style of language is appropriate,