Book, Paragraph

 1    III, 2 |        mention of the fact that metaphor is of great value both in
 2    III, 2 |  specially careful attention to metaphor, because their other resources
 3    III, 2 |   scantier than those of poets. Metaphor, moreover, gives style clearness,
 4    III, 2 |  compliment, you must take your metaphor from something better in
 5    III, 2 |        each of these terms is a metaphor, the one intended to throw
 6    III, 2 |         art is not concealed. A metaphor may be amiss because the
 7    III, 2 |       vocal utterances. But the metaphor is bad, because the sounds
 8    III, 2 |       riddle can furnish a good metaphor. Further, the materials
 9    III, 2 |        degree. The materials of metaphor must be beautiful to the
10    III, 3 |         and stately affair; and metaphor for iambic verse, the metre
11    III, 3 |         bad taste may be shown, metaphor. Metaphors like other things
12    III, 4 |          4~The Simile also is a metaphor; the difference is but slight.
13    III, 4 | metaphors. But the proportional metaphor must always apply reciprocally
14    III, 10|        know already; it is from metaphor that we can best get hold
15    III, 10|      has been said before, is a metaphor, differing from it only
16    III, 10|       three points: Antithesis, Metaphor, and Actuality.~Of the four
17    III, 10| Actuality.~Of the four kinds of Metaphor the most taking is the proportional
18    III, 10|       Sicily: this is a graphic metaphor. "Till all Hellas shouted
19    III, 10|     aloud" may be regarded as a metaphor, and a graphic one again.
20    III, 10|     grave, it would have been a metaphor, and a graphic one; but
21    III, 10|          this is a proportional metaphor, and the phrase "straight
22    III, 10|      from another" is a graphic metaphor. Lycoleon said, defending
23    III, 10|      for him yonder".This was a metaphor for the moment, though it
24    III, 10|       not always apply; a vivid metaphor, however; Chabrias is in
25    III, 11|        the proportional type of metaphor and being making (ie. making
26    III, 11|     four-square" is certainly a metaphor; both the good man and the
27    III, 11|     square are perfect; but the metaphor does not suggest activity.
28    III, 11|    gives us activity as well as metaphor, for it at once suggests
29    III, 11|        is specially conveyed by metaphor, and by the further power
30    III, 11| relations like the proportional metaphor. Thus: a shield, we say,
31    III, 11|           This way of putting a metaphor is not "simple", as it would
32    III, 11|     best when it is a converted metaphor, for it is possible to say