Book, Paragraph

 1      I, 1 |     inquiry is the function of an art.~Now, the framers of the
 2      I, 1 |           a small portion of that art. The modes of persuasion
 3      I, 1 |          true constituents of the art: everything else is merely
 4      I, 1 |           if they belonged to the art. The only question with
 5      I, 1 |      function of one and the same art to discern the real and
 6      I, 1 |        speaker’s knowledge of the art, or his moral purpose. In
 7      I, 2 |           a function of any other art. Every other art can instruct
 8      I, 2 |        any other art. Every other art can instruct or persuade
 9      I, 2 |       some belong strictly to the art of rhetoric and some do
10      I, 4 |         it does not belong to the art of rhetoric, but to a more
11      I, 4 |         but to a more instructive art and a more real branch of
12      I, 5 |           many are independent of art, as for example those which
13      I, 11| separately in the treatise on the Art of Poetry.~So much for the
14     II, 19|         of any kind of science or art are possible and exist or
15     II, 19|           can be produced without art or preparation, it can be
16     II, 19|        the careful application of art to it. Hence Agathon has
17     II, 19|        said:~To some things we by art must needs attain,~Others
18     II, 23|          if other followers of an art are not bad men, neither
19     II, 23|          is well to be wise". The Art of Rhetoric of Callippus
20     II, 23|        This topic forms the whole Art of Rhetoric both of Pamphilus
21     II, 23|  enthymeme forms the whole of the Art of Rhetoric in use before
22     II, 23|          O steel in heart as thou art steel in name.~This line
23     II, 24|          of argument that Corax’s Art of Rhetoric is composed.
24     II, 24|   spurious, and has a place in no art except Rhetoric and Eristic.~
25    III, 1 |  discussed in the treatise on the Art of Poetry.~
26    III, 2 |      other words mentioned in the Art of Poetry. Such variation
27    III, 2 |          writer must disguise his art and give the impression
28    III, 2 |          the same meaning.~In the Art of Poetry, as we have already
29    III, 2 |           the subject, and so the art is not concealed. A metaphor
30    III, 7 |        not another, you are using art all the same and yet nobody
31    III, 13|   Licymnius invented names in his Art of Rhetoric-"Secundation", "
32    III, 16|          provided by the orator’s art, viz. the actions themselves,