Book, Paragraph

 1      I, 11|   instance, painting, sculpture, poetry and every product of skilful
 2      I, 11|       the treatise on the Art of Poetry.~So much for the subject
 3    III, 1 |          do with oratory as with poetry. (In connexion with poetry,
 4    III, 1 |       poetry. (In connexion with poetry, it has been studied by
 5    III, 1 |         is distinct from that of poetry. This is shown by the state
 6    III, 1 |       the treatise on the Art of Poetry.~
 7    III, 2 |          mentioned in the Art of Poetry. Such variation from what
 8    III, 2 |         is less exalted. Even in poetry, it is not quite appropriate
 9    III, 2 |        trivial subjects: even in poetry the style, to be appropriate,
10    III, 2 |   ordinary life. This is done in poetry by Euripides, who was the
11    III, 2 |    considered in the treatise on Poetry. Strange words, compound
12    III, 2 |      same meaning.~In the Art of Poetry, as we have already said,
13    III, 2 |        is of great value both in poetry and in prose. Prose-writers
14    III, 2 |      Brazen in his elegies calls poetry "Calliope’s screech". Poetry
15    III, 2 |     poetry "Calliope’s screech". Poetry and screeching are both,
16    III, 2 |     screeching", unlike those of poetry, are discordant and unmeaning.
17    III, 3 |          Alcidamas of "a toy for poetry" and "the witlessness of
18    III, 3 |    author turning his prose into poetry. Of course we must use some
19    III, 3 |        words for writers of epic poetry, which is a proud and stately
20    III, 3 |            That is too much like poetry. Alcidamas, again, called
21    III, 3 |          offering no such toy to poetry": all these expressions
22    III, 4 |        they are of the nature of poetry. They are to be employed
23    III, 6 |       plural for singular, as in poetry, where one finds~Unto havens
24    III, 7 |      such language is fitting in poetry, which is an inspired thing.
25    III, 14| corresponding to the prologue in poetry and the prelude in flute-music;
26    III, 14|        In prologues, and in epic poetry, a foretaste of the theme