Book, Paragraph

 1      I, 2 |        sciences. But rhetoric we look upon as the power of observing
 2      I, 4 |          in which they no longer look like noses at all. It is
 3      I, 5 |     means that he is pleasant to look at; and therefore all-round
 4      I, 7 |        be good. Moreover, things look better merely by being divided
 5     II, 1 |      also make his own character look right and put his hearers,
 6     II, 1 |         his own character should look right and that he should
 7     II, 1 |    orator’s own character should look right is particularly important
 8     II, 6 |      them, since they are on the look out to harm you; or if they
 9     II, 6 |          whose opinions we quite look down as untrustworthy (no
10     II, 7 | considering this subject we must look at all the categories: an
11     II, 8 |       hundred centuries ago, nor look forward to what will happen
12     II, 12|    remark about Amphiaraus. They look at the good side rather
13     II, 12|        to remember, and can only look forward. They are easily
14     II, 15|           The well-born man will look down even on those who are
15     II, 24|     there may be syllogisms that look genuine but are not; and
16     II, 24|          there may be those that look genuine but are not.~1.
17    III, 12|   reflects emotion. Hence actors look out for plays written in
18    III, 12|         good to hear spoken, but look amateurish enough when they
19    III, 12|    proper work, and consequently look silly. Thus strings of unconnected
20    III, 16|      know nothing of by the mere look of the messenger bringing
21    III, 17|     irrelevant matters-they will look like proof that his other