Book, Paragraph

 1      I,  9 |    substance; but when a white colour is set before him and he
 2      I,  9 |      there is "white" or is "a colour", he states its essence
 3      I,  15|        and "obscure", just as "colour" is too. As regards the
 4      I,  15|        is at once obvious: for colour is not called "clear" in
 5      I,  15|       the case of sound and of colour, but in the latter case
 6      I,  15| applied to a body, signifies a colour, but in regard to a note
 7      I,  15|     possessing such and such a colour’, while the latter will
 8      I,  15|  different differentiae, e.g. "colour" in bodies and "colour"
 9      I,  15|         colour" in bodies and "colour" in tunes: for the differentiae
10      I,  15|       for the differentiae of "colour" in bodies are "sight-piercing"
11      I,  15|   sight compressing", whereas "colour" in melodies has not the
12      I,  15|     not the same differentiae. Colour, then, is an ambiguous term;
13      I,  15|      to a body is a species of colour, whereas in the case of
14     II,  2 |        be a colour-for being a colour does not happen by accident
15     II,  2 |      by accident to white, but colour is its genus. The assertor
16    III,  1 |        a "white man" is not "a colour". Likewise also in other
17    III,  5 |    definition of "white" be "a colour which pierces the vision",
18    III,  5 |       is in a greater degree a colour that pierces the vision.~
19     IV,  1 |       a quality, so too should colour be. Likewise, also, in other
20     IV,  2 |        differentia, by making "colour" (e.g.) to be a thing that "
21     IV,  3 |       of white and black: for "colour" is the genus both of these
22     IV,  5 |     contains "white" contains "colour" as well, and what contains "
23     VI,  12|       white" to be defined as "colour mingled with fire": for
24     VI,  12|    mingled with body, so that "colour" "mingled with fire" could
25   VIII,  2 |       man can very well have a colour or a foot or a hand other
26   VIII,  2 |       for a painter may have a colour that is not his own, and