Book, Hymn, Verse

 1    1,  179   |   neglect. Agastya responds in stanza 3, and in the second half
 2    1,  179   |      and in the second half of stanza 4 the disciple or the poet
 3    1,  179   |        result of the dialogue. Stanza 5 is supposed to be spoken
 4    1,  179   |       is not very apparent. In stanza 6 'toiling with strong endeavour'
 5 AppI         |       s love-song. The seventh stanza should, it seems, precede
 6 AppI         |   neglect. Agastya responds in stanza 3, and in the second half
 7 AppI         |      and in the second half of stanza 4 the disciple or the poet
 8 AppI         |        result of the dialogue. Stanza 5 is supposed to be spoken
 9 AppI         |       is not very apparent. In stanza 6 'toiling with strong endeavour'
10 AppII        |     number of syllables in the stanza, which consists generally
11 AppII        |        numbers. The Padas of a stanza are generally of equal length
12 AppII        |      metre are employed in one stanza, and then the Padas vary
13 AppII        |        complete the distich or stanza. This arrangement I have
14 AppII        |    sixty-four syllables in the stanza.~Astrapaikti: consisting
15 AppII        | containing 36 syllables in the stanza.~Caturvimsatika Dvipada:
16 AppII        |     seventy-two syllables in a stanza.~Dvipada Viraj: a species
17 AppII        |       a single Pada or quarter stanza.~Ekapada Viraj: a Viraj
18 AppII        |      single Pada.~Gayatri: the stanza usually consists of twenty-four
19 AppII        |     number of syllables in the stanza varies accordingly from
20 AppII        |     Uparistajjyotis: a Tristup stanza the last Pada of which contains