Parte,  Chap.

 1   I,  TransPre| that of Charles Jervas, the portrait painter, and friend of Pope,
 2   I,  TransPre|    he has given us the best portrait we have of Swift), and this
 3   I,  TransPre|   essentially sanguine. The portrait he draws in the preface
 4   I,  TransPre|  cheerful eyes, is the very portrait of a sanguine man. Nothing
 5   I,  TransPre|     he might in a character portrait by Velazquez. He is a much
 6   I,        IV|     pleased to show us some portrait of this lady, though it
 7   I,        IV|    you that even though her portrait should show her blind of
 8   I,       XVI|  and, in short, he drew her portrait in his imagination with
 9   I,      XLIX|     had managed to see some portrait of her. Then who can deny
10  II,     XLVII|  more to my taste than your portrait."~ ~"That I have still to
11  II,       LIX| should presume to paint his portrait save Apelles."~ ~ ~"Let