Parte,  Chap.

1   I,  TransPre| himself afterwards took as the model of his interludes. This
2   I,  TransPre|      ripe for tragedies on the model of the Greek drama-like
3   I,  TransPre|   written into chapters on the model of "Amadis," invented the
4   I,     XXXIV|       that he had in Camilla a model of purity. To Leonela's
5   I,    XLVIII|      mirror of human life, the model of manners, and the image
6  II,      LXII|         therefore, that on the model of another head, the work
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