Parte,  Chap.

 1   I,  TransPre|         of his conversation, no character of him drawn ... by a contemporary
 2   I,  TransPre|     plot. Cervantes by force of character, by his self-devotion, by
 3   I,  TransPre|        inn and wayside life and character that abound in the pages
 4   I,  TransPre|         a venture of so novel a character; and so little faith in
 5   I,  TransPre|    Still more remarkable is the character of this wide diffusion. "
 6   I,  TransPre|         Quixote" is Spanish, in character, in ideas, in sentiment,
 7   I,  TransPre|       invective, from men whose character and position lend weight
 8   I,  TransPre|        Part, Don Quixote has no character or individuality whatever.
 9   I,  TransPre|         some natural touches of character about him, such as his mixture
10   I,  TransPre|      before us as he might in a character portrait by Velazquez. He
11   I,  TransPre|      mean, prosaic, commonplace character of all the surroundings
12   I,  TransPre|      and truth to nature of the character, that makes him the most
13   I,  TransPre|       more elaborate studies of character, but there is no book richer
14   I,  TransPre|        richer in individualised character. What Coleridge said of
15   I,         I|        I.~ ~WHICH TREATS OF THE CHARACTER AND PURSUITS OF THE FAMOUS
16   I,         I|         his master taking a new character, he should take a new name,
17   I,       XII|      describe the nature of her character; and if you should remain
18   I,        XX|         most consistent with my character."~ ~"Be not angry, master
19   I,     XXXII|   himself and appear in his own character, and tell Don Quixote that
20   I,      XLVI|    senses and in his own proper character, and he, though he was within
21   I,     XLVII| attention to the account of the character, life, madness, and ways
22   I,        LI|     beauty, another assails her character, and in short all abuse
23   I,       LII| parchment manuscripts in Gothic character, but in Castilian verse,
24   I,       LII|        eulogies on his life and character; but all that could be read
25  II,       III|         geniuses. The cleverest character in comedy is the clown,
26  II,      XXII|         cousin of what sort and character his pursuits, avocations,
27  II,       XXX|        Countenance nor any such character now."~ ~"He of the Lions
28  II,    XXXIII|         not at all becoming the character and fidelity of a good squire?"~ ~ ~
29  II,    XXXIII|          and then I have a good character, and, as I have heard my
30  II,    XLVIII|   length, however, as I had the character of being an excellent needlewoman,
31  II,     LXXIV|       for the simplicity of his character and the fidelity of his