Canto

 1     1|                    CANTO 1~ ~ ARGUMENT~Angelica, whom pressing
 2     2|                    CANTO 2~ ~ ARGUMENT~A hermit parts, by means
 3     3|                    CANTO 3~ ~ ARGUMENT~Restored to sense, the beauteous
 4     4|                    CANTO 4~ ~ ARGUMENT~The old Atlantes suffers
 5     5|                    CANTO 5~ ~ ARGUMENT~Lurcanio, by a false report
 6     6|                    CANTO 6~ ~ ARGUMENT~Ariodantes has, a worthy
 7     7|                    CANTO 7~ ~ ARGUMENT~Rogero, as directed by the
 8     8|                    CANTO 8~ ~ ARGUMENT~Rogero flies; Astolpho with
 9     9|                    CANTO 9~ ~ ARGUMENT~So far Orlando wends, he
10    10|                   CANTO 10~ ~ ARGUMENT~Another love assails Bireno'
11    11|                   CANTO 11~ ~ ARGUMENT~Assisted by the magic ring
12    12|                  CANTO 12~ ~  ARGUMENT~Orlando, full of rage, pursues
13    13|                   CANTO 13~ ~ ARGUMENT~The Count Orlando of the
14    14|                   CANTO 14~ ~ ARGUMENT~Two squadrons lack of those
15    15|                   CANTO 15~ ~ ARGUMENT~Round about Paris every
16    16|                  CANTO 16~ ~  ARGUMENT~Gryphon finds traitorous
17    17|                   CANTO 17~ ~ ARGUMENT~Charles goes, with his,
18    18|                   CANTO 18~ ~ ARGUMENT~Gryphon is venged. Sir Mandricardo
19    19|                   CANTO 19~ ~ ARGUMENT~Medoro, by Angelica's quaint
20    20|                   CANTO 20~ ~ ARGUMENT~Guido and his from that
21    21|                   CANTO 21~ ~ ARGUMENT~Zerbino for Gabrina, who
22    22|                   CANTO 22~ ~ ARGUMENT~Atlantes' magic towers Astolpho
23    23|                   CANTO 23~ ~ ARGUMENT~Astolpho soars in air. Upon
24    24|                   CANTO 24~ ~ ARGUMENT~Odorico's and Gabrina's
25    25|                   CANTO 25~ ~ ARGUMENT~Rogero Richardetto from
26    26|                   CANTO 26~ ~ ARGUMENT~Of mighty matters, sculptured
27    26|    good remembrance 'tis, all argument~To leave until we Agramant
28    27|                   CANTO 27~ ~ ARGUMENT~By good Rogero and those
29    28|                   CANTO 28~ ~ ARGUMENT~To whatsoever evil tongue
30    29|                   CANTO 29~ ~ ARGUMENT~Isabel makes the paynim
31    29|     page~They may with worthy argument supply;~So that for aye
32    30|                   CANTO 30~ ~ ARGUMENT~Great feats achieve Orlando
33    30|        To Mandricardo my fair argument~It now behoves me, in his
34    31|                  CANTO 31~ ~  ARGUMENT~Rinaldo and Dudon fight;
35    32|                   CANTO 32~ ~ ARGUMENT~To her that does for her
36    33|                   CANTO 33~ ~ ARGUMENT~Bradamant sees in picture
37    34|                   CANTO 34~ ~ ARGUMENT~In the infernal pit Astolpho
38    35|                   CANTO 35~ ~ ARGUMENT~The apostle praises authors
39    36|                   CANTO 36~ ~ ARGUMENT~While with the fierce Marphisa
40    37|                   CANTO 37~ ~ ARGUMENT~Lament and outcry loud of
41    38|                   CANTO 38~ ~ ARGUMENT~To Arles the Child, to Charles
42    38|     Proving by this and other argument,~The Moorish squadrons should
43    39|                   CANTO 39~ ~ ARGUMENT~Agramant breaks the pact,
44    40|                   CANTO 40~ ~ ARGUMENT~To fly the royal Agramant
45    41|                   CANTO 41~ ~ ARGUMENT~His prisoners to the Child
46    41| Meanwhile with him he many an argument~Handles and often; of God'
47    42|                   CANTO 42~ ~ ARGUMENT~The victory with Count Orlando
48    43|                   CANTO 43~ ~ ARGUMENT~Rinaldo from his courteous
49    43|       mine unheard-of woe~The argument and very head will show.~ ~
50    44|                  CANTO 44~ ~  ARGUMENT~Rinaldo his sister to the
51    45|                   CANTO 45~ ~ ARGUMENT~Young Leo doth from death
52    46|                   CANTO 46~ ~ ARGUMENT~After long search for good
53    46|        Refuting evermore such argument~As might be used in answer