Dialogue

 1 Intro|     The dramatic power of the dialogues of Plato appears to diminish
 2 Intro|    greatly prefer the earlier dialogues to the later ones. Plato
 3 Intro|      a tediousness in the two dialogues, which he ascribes to his
 4 Intro|   great importance of the two dialogues be doubted by any one who
 5 Intro|    constantly employed in the dialogues of Plato. The ‘slippery’
 6 Intro|       God. Throughout the two dialogues Socrates continues a silent
 7 Intro|      than that of the earlier dialogues; and there is more of bitterness,
 8 Intro|  endless variety of the early dialogues, traces of the rhythmical
 9 Intro|       of the Sophist to other dialogues.~I. The Sophist in Plato
10 Intro| character varies in different dialogues. Like mythology, Greek philosophy
11 Intro|     the term ‘Sophist’ in the dialogues of Plato also shows that
12 Intro|       is found in his earlier dialogues, e.g. the Protagoras, as
13 Intro|       occurred in the earlier dialogues. But Plato could not altogether
14 Intro|    Sophists, who in the early dialogues, and in the Republic, are
15 Intro|   Not-being.~In all the later dialogues of Plato, the idea of mind
16 Intro|      examining.~IV. The later dialogues of Plato contain many references
17 Intro|       In several of the later dialogues Plato is occupied with the